Canterbury Festival Umbrella Event

Art and Archives workshops on Saturday 14th October 2017 in Canterbury, Kent, UK

A unique day of workshops where participants study archive sources for local history in the morning and then create artistic responses based on archive maps in the afternoon. Choose just one or both courses.

Morning Course (10.00 – 1.00)

Have you ever wondered how to trace your own local history? This course is an introduction to archive sources for local history research, in particular maps, the census, electoral rolls, wills, deeds etc. This course is led by Archive Consultant, Nicola Waddington

Afternoon Course (2.00-5.00)

Using archive maps from the morning course as your inspiration learn how to draw a map from your own imagination or your local area. This course is led by Artist Kathryn Rennie.

Location: Conquest House Gallery, Palace Street, CANTERBURY, Kent. CT1 2DZ

Tickets: Each separate course costs £20 or together the cost is £38

Book: 01227 472 953  or email

Alleyn’s School launches its WW1 Commemoration website

To coincide with the centenary of the start of the Battle of the Somme Alleyn’s School in Dulwich has launched its commemorative World War One website
The site explores the individual stories of boys from Alleyn’s who fought in the First World War and remembers both those who survived as well as those who died.
It can be tempting to see WW1 as one single event or as one continuous trench across France. The School’s work on the stories of individuals showed how boys from one area of South East London joined Airforce, Navy and Army regiments all over the UK and indeed the world. Some boys fought for the Australian and Canadian armies while others joined the local Cyclist Corps. Each boy had totally different experiences of the same war.
The website was accompanied by an onsite exhibition which was held on 2nd July 2016, with additional remembrance for the eleven Alleyn’s Old Boys who were killed on the first day of the Somme on 1st July 1916 being:

  • Rifleman HERBERT H. COOPER
  • Rifleman AUGUSTUS S. DYSON

A key feature of the Alleyn’s WW1 commemoration was the learning opportunities available to current pupils in studying the war through the eyes of boys from the same school one century ago. Year 9 History classes undertook research into the boys who went to war via their Army Service and Pension Records, while Year 9 English studied the war poets and 6 pupils created a commemorative tree in Art that presented a sample of the names of the 1900 Alleyn’s boys who fought on a tree made from broken art easels.

All of this work is presented on the site

Vacancy: Volunteer Board Chair of the National Disability Arts Collection and Archive CIC

NDACA CIC is the governing body of the National Disability Arts Collection and Archive and we are looking for someone with excellent leadership skills to fulfil the role of Chair of the Board.

Can you give some of your time, expertise and experience to work with the rest of the board to develop NDACA CIC into a strong and sustainable organisation which will be able to take on the longterm management of the archive in two years’ time?  Ideally you will have leadership and management experience in the business, arts, heritage, or disability sectors, as well as experience in board work and business planning or fundraising.

Please note this is an unpaid role, although reasonable expenses will be reimbursed.

How to apply:

The role description and person specification are available on the NDACA website Please download the role description and person specification to see if you meet our requirements. If you would like to apply, please send a copy of your CV, a completed equal opportunities form and a separate 500 word statement saying why you are interested in this role to  When applying, please mention where you saw this advert.  Shortlisted candidates will be invited for an interview in central London.

We welcome applications from disabled people and people with long term health conditions so, if this applies to you, please do mention this in your statement, if you wish to.  The role description and person specification can be provided in alternative formats on request.

If you have any questions about this role, please email or call 07738 705 285.

Closing date for applications:  Friday 13 May 2016

NDACA CIC registered no. 08034842


NDACA  CIC is the governing body of the National Disability Arts Collection and Archive, which charts the landmark developments of the disability arts movement since its beginnings. In the late 1970s disability art first began to play a significant role in the agenda of disability politics. A number of disability arts organisations were set up to promote art by disabled artists and they played a vital role in this social history. Disabled artists, writers, filmmakers and photographers came together, using art as a form of expression to reflect their experiences and to seek greater equality for disabled people. Their artwork and associated materials which form the National Disability Arts Collection and Archive are an important part of the cultural heritage of disabled people and this country.

Key benefits of the Archive include:

  • Disabled and non-disabled volunteers will learn new work-place and life skills
  • Disabled people will develop a stronger sense of identity, community and self-worth by engaging with their heritage
  • Improved integration between disabled and non-disabled people will be achieved via the engagement and learning opportunities provided by the Archive
  • Mainstream galleries and museums will be able to make their spaces more inclusive and relevant to disabled people
  • More partnerships will be developed and strengthened by bringing together the heritage, education, business and disability sectors

Historic description of the autistic spectrum found

Peter the Wildboy

The Heberden Collection (reference SA/HEB) was given by the British Society for Rheumatology to the Wellcome Library in March 2012. It has recently been catalogued at reference SA/HEB and while it mostly relates to rheumatism and arthritis it also includes a collection of historic medical manuscripts, which was put together by William Copeman. As well as being an influential rheumatologist Copeman was interested in the history of medicine and collected documents on a variety of medical subjects. One such document is a description of ‘Peter the Wildboy’.

The copy of the writing at SA/HEB/A/2/3/7 is from the parish register of Northchurch in Hertford and the original of this register is held by Hertfordshire Archives and Local Studies Service with the reference DP/74/1/8. It describes how a boy aged around 12 years of age was found in 1725 living wild in the German forests around Hamelon, near Hanover. He was wearing the remains of a shirt collar and had been eating leaves, berries and bark from the forest. He was found by a hunting party of George I and was taken to the UK in 1726 and put in to the care of Dr Arbuthnot so that he could receive a proper education.

It became apparent that Peter had, what today would be called, learning disabilities and although he had a willing personality he never learned to speak or retain his education. Because of this he was sent to live with the Fenn family of Northchurch, where it is clear from this document that he was held in great affection and protection by those who knew him.

When Peter was in London his arrival caused a great deal of interest. A Wikipedia entry exists for Peter and the entry shows that Peter was the subject of medical curiosity, satire, rumour, art and mystery. A portrait was painted of Peter by William Kent at Kensington Palace, which showed Peter to have distinct facial features. In 2011 this portrait was used to suggest that Peter had Pitt–Hopkins syndrome.

However the document copied from the Northchurch parish register may offer conflicting evidence. The author of the document emphasises that it was written by people who knew Peter well and that Peter had no facial deformities. It states that

“Peter was well made and of the middle size. His countenance had not that of an Idiot, nor was there anything particular in his form except that two of his fingers of his left hand were united by a web up to the middle joint”

The document also states that it was written deliberately to refute the suppositions that had been made about Peter in London by
“many men of some eminence in the literary world have in their works published strange opinions, and ill founded conjectures about him” and that “this short and true account of Peter is recorded in the Parish Register by one who constantly resided —- in the neighbourhood and had daily opportunities of seeing and observing him”.

Peter’s lack of ability to acquire speech, his apparent ‘normal’ appearance and intellectual disability may suggest that Peter actually had a condition on the autistic spectrum. If so, this document provides an 18th century description of a condition that was only first described in its most severe form in the 1950s, and in milder forms from the 1980s onwards. Knowledge about the true nature of the autistic spectrum as a neurological, genetic, verbal language learning difficulty is only just beginning to be understood now in the 21st century.